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Photographer Georgia Brogan has been named the recipient of the 2021 Australian Life Photography Award from the City of Sydney. Currently a media arts student at UTS, Brogan, 19, was unanimously awarded the $ 10,000 Youth Prize, an evocative portrait on the back of her 11-year-old sister taken in the Blue Mountains for COVID lockdown in 2020. Sydney-based Brogan, the youngest contestant, captured the image of her sister from the front seat of the family car after their father drove them down the main street of Blackheath to that she can take some pictures. “I often bribe my sister to come for a photography tour in exchange for trampoline time with me,” Brogan told AAP shortly after the announcement online Thursday by Sydney Mayor Clover Moore . The image was not pre-planned. “We were in the car and the lights were on at the right angles and it was a foggy night, which definitely helped alleviate the mood swings,” she said. At the time the photo was taken, Brogan was enrolled in a law degree. “I am now working on a film degree so winning the award is confirmation that this is the right path for me,” she said. “It’s a huge boost in confidence.” Playfully answering a question about how she might celebrate, Brogan said she could head to the local pub for a take-out margarita. The $ 5,000 People’s Choice Award went to Elise Derwin for her photograph It Always Rains Before Kick-Off, taken shortly before Australia’s rules clash at the Tiwi Islands Grand Final in 2021. Over 3,000 votes were cast by members of the public, of which 332 voted for the image of Derwin, in which a young boy lifts his face in the rain as players prepare to start the game behind him. The guest judges this year were National Geographic photographer Michaela Skovranova, Magnum Photo Agency member Trent Parke, and actress, singer and author Justine Clarke. Together, they selected 28 finalist images – and the big winner – from nearly 2,000 entries, some 500 more than in 2019, when the award was last held. Parke praised Brogan’s “nostalgic and romantic” work. “Every time I see it, I want to put it on the cover of a book. I love it,” he said. Skovranova added that the photo is about the present moment. “We don’t know where we’re going or what’s going on. It calls into question freedom of movement and uncertainty. It’s a beautiful picture,” she said. Now in its 18th year, the national competition typically sees the finalists’ photos displayed along the St James’s Walkway in Hyde Park in Sydney. After being canceled in 2020, the latest exhibition can be seen in an online gallery curated by acclaimed photographer Sandy Edwards. Images of community gatherings, family time, country care, and quiet moments of rest provide a window into the national psyche as it has endured drought, bushfires, flooding and a global pandemic in Africa. in recent years. Taken in 2018 during a severe drought, Ryan Stuart’s Emu on Mica Street documents a lone bird roaming the suburb of Broken Hill in search of water. Sari Sutton’s Burn shows bushfire-blackened, leaf-stripped gums quivering in ankle-deep snow in Ngarigo Country, Kosciuszko National Park, NSW. Meanwhile, in Jeremy Piper’s Resilience in Floodwater, three children have fun on a trampoline in their flooded backyard in Bohnock on the north coast of New South Wales after the River Manning burst in March. And in Shelley Reis’ A Day in the Life of a Summer Holiday II, a family’s attempt to relax in a cabin on NSW’s central coast is captured in an artfully composed triptych-like image. As the photographer’s partner sips an infusion in the indescribable kitchen on the right, looking a little shocked, on the left, the couple’s six-year-old daughter jumps up and down on a dark vinyl sofa. In the center of the image, a door leading to the much brighter dining room, decorated with orange floral wallpaper and tomato red carpet, frames the girl’s nine-year-old brother reading to a formica table. “The variety of images we have received truly demonstrate the wonderful diversity of Australia’s landscapes and communities – and the fabulous creativity of so many Australians,” said Moore. “Each of the 28 finalists captured a beautiful image, each describing a unique story from many different backgrounds. And each, going beyond the famous and iconic to reveal more about what makes Australia the nation. that it is today. ” To view the exhibit, visit Australian Associated Press


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